Item: i54895
Authentic Ancient Coin of:
Crispus - Roman Caesar: 317-326 A.D. -
Bronze Follis 20mm (3.16 grams) Arles mint: 317 A.D.
Reference: RIC VII Arles 129.
CRISPVS NOB CAES, Laureate draped and cuirassed bust right, seen from behind
PRINCIPIA IVVENTVTIS, Mars, naked except for helmet and boots, chlamys
flying out behind, advancing right, holding transverse spear and shield. R-S across fields.
Mintmark PARL.
* Numismatic Note: Rare type with the reverse design.
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Mars (Latin: Martis) was the Roman god of war and also an agricultural guardian, a combination characteristic of early Rome. He was second in importance only to Jupiter, and he was the most prominent of the military gods in the religion of the Roman army. Most of his festivals were held in March, the month named for him (Latin Martius), and in October, which began and ended the season for military campaigning and farming.
File:Mars Pyrrhus cropped.jpg
Mars was identified with the Greek god Ares, whose myths were reinterpreted in Roman literature and art under the name of Mars. But the character and dignity of Mars differed in fundamental ways from that of his Greek counterpart, who is often treated with contempt and revulsion in Greek literature.Mars was a part of the Archaic Triad along with Jupiter and Quirinus, the latter of whom as a guardian of the Roman people had no Greek equivalent. Mars' altar in the Campus Martius, the area of Rome that took its name from him, was supposed to have been dedicated by Numa, the peace-loving semi-legendary second king of Rome. Although the center of Mars' worship was originally located outside the sacred boundary of Rome (pomerium), Augustus made the god a renewed focus of Roman religion by establishing the Temple of Mars Ultor in his new forum.
Although Ares was viewed primarily as a destructive and destabilizing force, Mars represented military power as a way to secure peace, and was a father (pater) of the Roman people. In the mythic genealogy and founding myths of Rome, Mars was the father of Romulus and Remus with Rhea Silvia. His love affair with Venus symbolically reconciled the two different traditions of Rome's founding; Venus was the divine mother of the hero Aeneas, celebrated as the Trojan refugee who "founded" Rome several generations before Romulus laid out the city walls.
The importance of Mars in establishing religious and cultural identity within the Roman Empire is indicated by the vast number of inscriptions identifying him with a local deity, particularly in the Western provinces.
Venus and Mars
The union of Venus and Mars held greater appeal for poets and philosophers, and the couple were a frequent subject of art. In Greek myth, the adultery of Ares and Aphrodite had been exposed to ridicule when her husband Hephaestus (whose Roman equivalent was Vulcan) caught them in the act by means of a magical snare. Although not originally part of the Roman tradition, in 217 BC Venus and Mars were presented as a complementary pair in the lectisternium, a public banquet at which images of twelve major gods of the Roman state were presented on couches as if present and participating.
Wall painting (mid-1st century AD) from which the House of Venus and Mars at Pompeii takes its name
Scenes of Venus and Mars in Roman art often ignore the adulterous implications of their union, and take pleasure in the good-looking couple attended by Cupid or multiple Loves (amores). Some scenes may imply marriage, and the relationship was romanticized in funerary or domestic art in which husbands and wives had themselves portrayed as the passionate divine couple.
The uniting of deities representing Love and War lent itself to allegory, especially since the lovers were the parents of Harmonia. The Renaissance philosopher Marsilio Ficino notes that "only Venus dominates Mars, and he never dominates her".In ancient Roman and Renaissance art, Mars is often shown disarmed and relaxed, or even sleeping, but the extramarital nature of their affair can also suggest that this peace is impermanent.
Sacred animals
She-wolf and twins from an altar to Venus and Mars
Temples and topography
The earliest center in Rome for cultivating Mars as a deity was the Altar of Mars (Ara Martis) in the Campus Martius ("Field of Mars") outside the sacred boundary of Rome (pomerium). The Romans thought that this altar had been established by the semi-legendary Numa Pompilius, the peace-loving successor of Romulus. According to Roman tradition, the Campus Martius had been consecrated to Mars by their ancestors to serve as horse pasturage and an equestrian training ground for youths.[49] During the Roman Republic (509–27 BC), the Campus was a largely open expanse. No temple was built at the altar, but from 193 BC a covered walkway connected it to the Porta Fontinalis, near the office and archives of the Roman censors. Newly elected censors placed their curule chairs by the altar, and when they had finished conducting the census, the citizens were collectively purified with a suovetaurilia there. A frieze from the so-called "Altar" of Domitius Ahenobarbus is thought to depict the census, and may show Mars himself standing by the altar as the procession of victims advances.
The main Temple of Mars (Aedes Martis) in the Republican period also lay outside the sacred boundary and was devoted to the god's warrior aspect. It was built to fulfill a vow (votum) made by a Titus Quinctius in 388 BC during the Gallic siege of Rome.[53] The founding day (dies natalis) was commemorated on June 1, and the temple is attested by several inscriptions and literary sources. The sculpture group of Mars and the wolves was displayed there.Soldiers sometimes assembled at the temple before heading off to war, and it was the point of departure for a major parade of Roman cavalry held annually on July 15.
A temple to Mars in the Circus Flaminius was built around 133 BC, funded by Decimus Junius Brutus Callaicus from war booty. It housed a colossal statue of Mars and a nude Venus.
The Campus Martius continued to provide venues for equestrian events such as chariot racing during the Imperial period, but under the first emperor Augustus it underwent a major program of urban renewal, marked by monumental architecture. The Altar of Augustan Peace (Ara Pacis Augustae) was located there, as was the Obelisk of Montecitorio, imported from Egypt to form the pointer (gnomon) of the Solarium Augusti, a giant sundial. With its public gardens, the Campus became one of the most attractive places in the city to visit.
Augustus chose the Campus Martius as the site of his new Temple to Mars Ultor, a manifestation of Mars he cultivated as the avenger (ultor) of the murder of Julius Caesar and of the military disaster suffered at the Battle of Carrhae. When the legionary standards lost to the Parthians were recovered, they were housed in the new temple. The date of the temple's dedication on May 12 was aligned with the heliacal setting of the constellation Scorpio, the house of war. The date continued to be marked with circus games as late as the mid-4th century AD.
A large statue of Mars was part of the short-lived Arch of Nero, which was built in 62 AD but dismantled after Nero's suicide and disgrace (damnatio memoriae).
Mars Quirinus
Mars celebrated as peace-bringer on a Roman coin issued by Aemilianus
Flavius Julius Crispus, also known as Flavius Claudius Crispus and Flavius Valerius Crispus was a Caesar of the Roman Empire. He was the first-born son of Constantine I and Minervina.
Birth
Crispus' year and place of birth are uncertain. He is considered likely to have been born between 299 and 305, somewhere in the Eastern Roman Empire. His mother Minervina was either a concubine or a first wife to Constantine. Nothing else is known about Minervina. His father served as a hostage in the court of Eastern Roman Emperor Diocletian in Nicomedia. Thus securing the loyalty of Caesar of the Western Roman Empire Constantius Chlorus, father of Constantine and grandfather of Crispus.
In 307, Constantine allied to the Italian Augusti, and this alliance was sealed with the marriage of Constantine to Fausta, daughter of Maximian and sister of Maxentius.
The marriage of Constantine to Fausta has caused modern historians to question the status of his relation to Minervina and Crispus. If Minervina was his legitimate wife, Constantine would have needed to secure a divorce before marrying Fausta. This would have required an official written order signed by Constantine himself, but no such order is mentioned by contemporary sources.
This silence in the sources has led many historians to conclude that the relationship between Constantine and Minervina was informal and to assume her to have been an unofficial lover. However, Minervina may have already been dead by 307. A widowed Constantine would need no divorce order.
Neither the true nature of the relationship between Constantine and Minervina nor the reason Crispus came under the protection of his father will ever probably be known. The offspring of an illegitimate affair could have caused dynastical problems and would likely be dismissed, but Crispus was raised by his father in Gaul. This can be seen as evidence of a loving and public relationship between Constantine and Minervina which gave him a reason to protect her son.
The story of Minervina is quite similar to that of Constantine's mother Helena. Constantine's father later had to divorce her for political reasons, specifically, to marry Flavia Maximiana Theodora, the daughter of Maximian, in order to secure his alliance with his new father-in-law. Constantine in turn may have had to put aside Minervina in order to secure an alliance with the same man. Constantius did not however dismiss Constantine as his son, and perhaps Constantine chose to follow the example of his father.
Education
Whatever the reason, Constantine kept Crispus at his side. Surviving sources are unanimous in declaring him a loving, trusting and protective father to his first son. Constantine even entrusted his education to Lactantius, among the most important Christian teachers of that time, who probably started teaching Crispus before 317.
Career
By 317, there were two remaining Augusti in control of the Roman Empire. Constantine reigned as an Western Roman Emperor and his brother-in-law Licinius as an Eastern Roman Emperor.
On 1 March 317, the two co-reigning Augusti jointly proclaimed three new Caesars. Crispus alongside his younger half-brother Constantine II and his first cousin Licinius iunior. Constantine II was the older son of Fausta but was probably about a month old at the time of his proclamation. Thus only Crispus assumed actual duties.
Constantine apparently believed in the abilities of his son and appointed Crispus as Commander of Gaul. The new Caesar soon held residence in Augusta Treverorum (modern Trier), regional capital of Germania.
In January 322, Crispus was married to a young woman called Helena. Helena bore him a son in October, 322. There is no surviving account of the name or later fate of the son. Eusebius of Caesarea reported that Constantine was proud of his son and very pleased to become a grandfather.
Crispus was leader in victorious military operations against the Franks and the Alamanni in 318, 320 and 323. Thus he secured the continued Roman presence in the areas of Gaul and Germania. Crispus joined his father in visiting Rome during 322, and received the warmest and most enthusiastic welcome by the crowds. The soldiers adored him thanks to his strategic abilities and the victories to which he had led the Roman legions.
Crispus spent the following years assisting Constantine in the war against by then hostile Licinius. In 324, Constantine appointed Crispus as the commander of his fleet which left the port of Piraeus to confront the rival fleet of Licinius. The subsequent Battle of Hellespont was fought in at the straits of Bosporus. The 200 ships under the command of Crispus managed to utterly beat the enemy forces which were at least double in number. Thus Crispus achieved his most important and difficult victory which further established his reputation as a brilliant soldier and general.
Following his navy activities, Crispus was assigned part of the legions loyal to his father. The other part was commanded by Constantine himself. Crispus led the legions assigned to him in another victorious battle outside Chrysopolis against the armies of Licinius.
The two victories were his contribution to the final triumph of his father over Licinius. Constantine was the only Augustus left in the Empire. He honoured his son for his support and success by depicting his face in imperial coins, statues, mosaics, cameos, etc. Eusebius of Caesaria wrote for Crispus that he is "an Imperator most dear to God and in all regards comparable to his father."
Crispus was the most likely choice for an heir to the throne at the time. His siblings Constantine II, Constantius II and Constans were far too young and inexperienced.
Execution
In 326, Crispus life came to a sudden end: on his father's orders, he was tried by a local court at Pola, Istria, condemned to death and executed. Soon afterwards, Constantine had his own wife, Fausta, killed; she was suffocated in an over-heated bath.[1]
The reason for this act remains unclear and historians have long debated Constantine's motivation:
Zosimus in the 5th century and Joannes Zonaras in the 12th century both reported that Fausta, stepmother of Crispus, was extremely jealous of him. She was reportedly afraid that Constantine would put aside the sons she bore him. So, in order to get rid of Crispus, Fausta set him up. She reportedly told the young Caesar that she was in love with him and suggested an illegitimate love affair. Crispus denied the immoral wishes of Fausta and left the palace in a state of a shock. Then Fausta said to Constantine that Crispus had no respect for his father, since the Caesar was in love with his father's own wife. She reported to Constantine that she dismissed him after his attempt to rape her. Constantine believed her and, true to his strong personality and short temper, executed his beloved son. A few months later, Constantine reportedly found out the whole truth and then killed Fausta.
This version of events has become the most widely accepted, since all other reports are even less satisfactory.
That Fausta and Crispus could have plotted treason against Constantine is rejected by most historians. as they would have nothing to gain considering their positions as favourites of Constantine. In any case, such a case would not have been tried by a local court as Crispus' case clearly was.
Another view suggests that Constantine killed Crispus because as an supposedly illegitimate son, he would cause a crisis in the order of succession to the throne. However, Constantine had kept him at his side for twenty years without any such decision. Constantine also had the authority to appoint his younger, legitimate sons as his heirs.
Some reports claimed that Constantine was envious of the success of his son and afraid of him. This seems improbable, given that Constantine had twenty years of experience as emperor while Crispus was still a young Caesar. Similarly, there seems to be no evidence that Crispus had any ambitions to harm or displace his father.
So while the story of Zosimus and Zonaras seems the most believable one, there are also problems relating to their version of events:
Constantine's reaction suggests that he suspected Crispus of a crime so terrible that death was not enough. Crispus also suffered damnatio memoriae, meaning his name was never mentioned again and was deleted from all official documents and monuments. Crispus, his wife Helena and their son were never to be mentioned again in historical records. The eventual fate of Helena and her son is a mystery.
Constantine did not restore his son's innocence and name, as he probably would have on learning of his son's innocence. Perhaps Constantine's pride, or shame at having executed his son, prevented him from publicly admitting having made a mistake.
It is beyond doubt that there was a connection between the deaths of Crispus and Fausta. Such agreement among different sources connecting two deaths is extremely rare in itself. A number of modern historians have suggested that Crispus and Fausta really did have an illegitimate affair. When Constantine found out, his reaction was to have both of them killed. What delayed the death of Fausta may have been a pregnancy. Since the years of birth for the two known daughters of Constantine and Fausta remain unknown, one of their births may have delayed their mother's execution.
The story of Zosimus and Zonaras listed above is suspiciously similar to both the legend of Hippolytus of Athens (casting Crispus in the role of the youth, Constantine in the role of Theseus and Fausta in the role of Phaedra) as well as the Biblical account of Joseph .
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